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Beirut-based artist Mounira Al Solh's (born 1978) ongoing drawing and embroidery series documents personal experiences of political crises and displacement in Syria and the Middle East. This catalog includes a selection of her legal pad drawings.
Refugees --- Syrians --- Middle Easterners --- Immigrants --- Al Solh, Mounira,
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This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and creative scientific arguments. Focusing on seven themes - Future Tech, Future Image, Future Museum, Future City, Future Freedom, Future History, and Future Future - the book shows how our sense of the future is shaped by a visual rhetoric of acceleration, progression, excess and destruction. The essays reflect collaborative work between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel Arts Centre, W139–Space for Contemporary Art, and the art magazine Metropolis M. Discussing provocative themes like future history and future freedom, ‘Facing Forward’ is an energetic look at how our visions of the future affect how we depict the world around us.
Art --- Future in art. --- Art, Modern --- Philosophy. --- Contemporary art --- Modernism (Art) --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation --- 2000-2099 --- art theory --- futures --- art
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This third edition in the series is a result of the 'Curatorial Programme' at De Appel in Amsterdam, which contributes significantly to the Netherlands as a focus of research and expertise on curating. The 24 comprehensive essays herein map the history of curatorial programmes worldwide and suggest possible directions for the future of this now greatly expanded field. Personal testimonials of Curatorial Programme alumni underscore one of its most important aspects: how knowledge is transferred to the students and how this experience shapes the practice of emerging curators. With contributions by Saskia Bos, Ann Goldstein, Hans Ulrich Obrist, Seth Siegelaub and others.
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The End Is Never Near geeft een uitgebreid overzicht van het oeuvre van de Belgische schilder Jan Van Imschoot (°1963, Gent, België). Zijn werk is opgebouwd rond historische thema’s uit de literatuur en de kunstgeschiedenis, en slaat een brug naar voorgangers, zoals Caravaggio, Tintoretto, Goya, Manet, en anderen. De kunstenaar gaat een voortdurende dialoog aan met het verleden, waarin hij zich, met een dosis cynisme, vaak richt op fenomenen of fifi guren die zich aan de zelfkant van de hedendaagse maatschappij bevinden. In deze monografifie die diepgravende essays van Selen Ansen, Dieter Roelstraete, Alain Tapié en Philippe Van Cauteren bevat, evenals een uitgebreid gesprek tussen de kunstenaar en Hendrik Folkerts zijn meer dan 200 werken van Jan Van Imschoot opgenomen.
Van Imschoot, Jan --- Schilderkunst ; Barok --- Schilderkunst ; België ; 21ste eeuw --- Tentoonstellingscatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- Van Imschoot, Jan °1963 (°Gent, België) --- 75.07 --- Schilderkunst ; schilders A-Z --- Belgische kunstenaars --- Painting --- easel paintings [paintings by form] --- Imschoot, Van, Jan --- Imschoot, Jan van,
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Kensmil, Natasja --- Zeefdruk --- Schilderen --- Kunst --- Amersfoort
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Art --- paintings [visual works] --- sculpture [visual works] --- installations [visual works] --- performance art --- interactive art
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